![]() By the 1740s, artists such as Okumura Masanobu used multiple woodblocks to print areas of colour. Colour prints were introduced gradually, and at first were only used for special commissions. The earliest ukiyo-e works emerged in the 1670s, with Hishikawa Moronobu's paintings and monochromatic prints of beautiful women. ![]() Printed or painted ukiyo-e works were popular with the chōnin class, who had become wealthy enough to afford to decorate their homes with them. The term ukiyo-e ( 浮世絵) translates as "picture of the floating world".Īfter Edo (now Tokyo) became the seat of the ruling Tokugawa shogunate in 1603, the chōnin class (merchants, craftsmen, and workers) benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment of kabuki theatre, geisha, and courtesans of the pleasure districts the term ukiyo ("floating world") came to describe this hedonistic lifestyle. Its artists produced woodblock prints and paintings of such subjects as female beauties kabuki actors and sumo wrestlers scenes from history and folk tales travel scenes and landscapes flora and fauna and erotica. Ukiyo-e is a Japanese printmaking technique which flourished from the 17th through 19th centuries. It has influenced several notable artists and musicians, including Vincent Van Gogh, Claude Debussy, Claude Monet, and Hiroshige. The Great Wave has been described as "possibly the most reproduced image in the history of all art", as well as being a contender for the "most famous artwork in Japanese history". Several museums throughout the world preserve copies of The Great Wave many come from the great private collections of Japanese prints built up in the 19th century. The composition of The Great Wave, a synthesis of traditional Japanese prints and Western perspective, earned him immediate success in Japan, then in Europe, where it was one of the sources of inspiration for the Impressionists. This print is Hokusai's best-known work and the first in his Thirty-six Views of Mount Fuji series, in which the use of Prussian blue revolutionized Japanese prints. The print depicts three boats moving through a storm-tossed sea, with a large wave forming a spiral in the centre and Mount Fuji visible in the background. "Under the Wave off Kanagawa") is a woodblock print by the Japanese ukiyo-e artist Hokusai, probably made in late 1831 during the Edo period of Japanese history. The Great Wave off Kanagawa ( Japanese: 神奈川沖浪裏, Hepburn: Kanagawa-oki Nami Ura, lit.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |